![]() ![]() Though West German police usually turned a blind eye to wall artists, the wall was considered a part of East German territory and was continuously patrolled by East German authorities looking for escapees and people vandalizing the wall. They usually brought only a few different colors to paint with and worked swiftly to avoid being caught by East German authorities. Please check your inbox to activate your subscription Thank you!Īrtists of the West Wall often had to be quick when painting upon the wall. The art on the Berlin Wall was often characterized by subversive symbolism that critiqued the wall and what it stood for. While the East Wall was heavily guarded and would remain untouched throughout the Cold War, by the mid-1980s West German artists began to decorate the West Wall. This barrier strip had guard towers, searchlights, and electric fences threatening anyone that attempted to cross the border. The Berlin Wall was essentially two walls with a “death strip” in-between. Realizing the potential of losing its human capital, Soviet and East German officials decided to build a barrier separating East and West Germany, as well as East and West Berlin. The fifteen years following the Allied Victory of World War II were marked by a massive movement of migrants from East to West Germany, as East Germans became increasingly dissatisfied with the lack of economic opportunity in the Soviet-controlled Eastern Bloc. The Berlin Wall art of the 1980s was an artistic representation of the events of the Cold War in Europe. World’s People by Shimal Gimayev, 1990 with The West Side Wall and Death Strip, via Thierry Noir ![]()
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